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Japanese Literature

Note: This is a pre-programmed post. I’m in Hong Kong for a wedding until Monday, October 6. I will attend to all your comments when I return. Don’t forget to stop by on Monday as I’ll be hosting a stop in the TLC Book Tour for Capote in Kansas by Kim Powers.

I’m aware of the Japanese Reading Challenge, which requires three books in any genres: novel, poetry, graphical novel, and children’s books. The two I’ll share with you might not qualify because the authors aren’t Japanese, but they have been well-received by readers in local bookstores. I picked up these books (both published this year) a while ago waiting to snap into the mood for them.

The Teahouse Fire by Ellis Avery is set in late nineteenth century Japan. It’s the story of Aurelia, a young French-American girl who, after the death of her mother and her missionary uncle, finds herself lost and alone and in need of a new family. Knowing only a few words of Japanese she hides in a Japanese tea house and is adopted by the family who own it: gradually falling in love with both the Japanese tea ceremony and with her young mistress, Yukako.

The novel is drawn from a history shrouded in secrets about two women, it also portrays resplendent tea parties that women, other than those who are entertaining, are not welcome. Japan’s warriors and well-off men would gather in tatami-floored structures—teahouses—to participate in an event that was equal parts ritual dance and sacramental meal.

The Commoner by John Burnham Schwartz is a fictionalized reconstruction of the private history of Haruko, a young woman of good family, who marries the Crown Prince of Japan, the heir to the Chrysanthemum Throne, in 1959. She is the first non-aristocratic woman to enter the longest-running, almost hermetically sealed, and mysterious monarchy in the world. Met with cruelty and suspicion by the Empress and her minions, Haruko is controlled at every turn. The only interest the court has in her is her ability to produce an heir. After finally giving birth to a son, Haruko suffers a nervous breakdown and loses her voice. However, determined not to be crushed by the imperial bureaucrats, she perseveres.