My newest favorite author of English mystery/crime fiction is Minette Walters. She writes psychological suspense stories that keep reader guessing until the last page. But I realize she is not as prolific as the others in this genre, where writers are encouraged to published once or even twice a year. Her work reminds me of Ruth Rendell, and indeed, upon a glance of the oeuvre, reveals the concern of wiring and misfiring of psyche. Crime novels cal also provoke repulsion, especially in the depiction of violence against women, like in The Scold’s Bridle. A scold’s bridle in the middle ages was a metal muzzle straddled in woman’s head in order curb her nagging tongue. The opening scene finds the victim murdered in the bathtub wearing a scold’s bridle.
Her insight into psyches is aided by having been a weekly prison visitor for a long period. She became fascinated by judicial punishment after researching her great-great-great grandfather, Joshua Jebb, who was Britain’s surveyor general of prisons in the mid-19th century. Walters never used her visits as research, but the encounters clearly provided a remarkable insight into criminals’ thinking and speech. That said, her books are dark and female-oriented. A writer who continues the line of Christie, Dorothy Sayers, P.D. James and Ruth Rendell, Walters thinks that most women are amateur psychiatrists, and thus the phenomenon that English crime fiction is mostly female-led.