Candide is considered Voltaire’s magnum opus and is often listed as part of the Western canon; it is arguably taught more than any other work of French literature. Experience had it that the trimmer the book, the more penetrative its meaning. The novella was published in 1759, a period in Europe when all the sovereign princes and republics carried on schemes of aggrandizement against each other.
It begins with a young man, Candide, who is living a sheltered life in an Edenic paradise and being indoctrinated with Leibnizian optimism (or simply “optimism”) by his mentor, Professor Pangloss. The work describes the abrupt cessation of this lifestyle, followed by Candide’s slow, painful disillusionment as he witnesses and experiences great hardships in the world.
The 18th century saw the appearance of a literature profoundly skeptical and critical of the courts and politics of the time. Politics was so petty during that age of multifarious sovereign states that the history became more and more manifestly gossip, more and more unmeaning and wearisome to a modern intelligence. In such a book as Voltaire’s Candide one has the expression of an infinite weariness with the planless confusion of the European world.