• Current Reads

      Life after Life Jill McCorkle
      This Is Your Captain Speaking Jon Methven
      The Starboard Sea Amber Dermont
      Snark David Denby
      Bring Up the Bodies Hilary Mantel
  • Popular Tags

  • Recent Reflections

  • Categories

  • Moleskine’s All-Time Favorites

  • Echoes

    Nish on 50th Big Book Sale
    cebelihlembuyisa on 50th Big Book Sale
    jenn aka the picky g… on Anne Perry’s Hideous…
    Stormi D Johnson on Anne Perry’s Hideous…
    Helaine on Gold Country
    curlygeek04 on Anne Perry’s Hideous…
  • Reminiscences

  • Blog Stats

    • 897,275 hits
  • Enter your email address to subscribe to this blog and receive notifications of new posts by email.

    Join 710 other followers

[605] The Paris Wife – Paula McLain

pariswife

” Everything could be snarled all to hell under the surface as long as you didn’t let it crack through and didn’t speak its name, particularly not at cocktail hour, when everyone was very jolly and working hard to be that way and to show how perfectly good life could be if you were lucky, as we were. Just have your drink, and another and don’t spoil it. ” (Ch.42, p.283-4)

The heroine of The Paris Wife is not just any wife living in Paris, but Hadley Richardson, Hemingway’s unfashionable but cultured first wife. The married in 1921 after a short courtship in Chicago and were divorced in 1927 in Paris. Obviously no novelist would be telling her story had she not married Ernest Hemingway. The book is about their marriage when they lived in Paris during the 1920s, told from the point of view of Hadley, who serves to reign him in through life in the midst of big-league company like Sherwood Anderson, Gertrude Stein, Ezra Pound, and Scott Fitzgerald.

It was only then that I let myself feel the whole weight of my own anxiety. So lost, he’d said, and I could see it in his eyes, which reminded me of father’s. What did it all mean? Was this crisis related to his experiences in the war? Did those memories descend to plague him from time to time, or was this more personal? (Ch.11, p.68)

Throughout the reading I have the feeling that Hadley is more like a mother figure than a wife. She herself isn’t all that young during their courtship—she was 29 and he 21. In the company of artists and writers, she seems a stodgy bore. She lives in a different world—one that adheres to traditional values like raising children and sustaining a family. She knows she shouldn’t resent Hemingway’s working or try to keep him from it, but she’s always the happiest in his company. “He lived inside the creative sphere and I lived outside, and I didn’t know if anything would ever change that.” (Ch.16, p.107)

The book draws heavily on research, and parts of it invoke Hemingway’s A Moveable Feast. Hadley’s voice mirrors that of hers in Hemingway’s memoir. The book, however, is unevenly written. The first half is cliché-ridden (“I can do anything if I have you with me.”) and inundated with name dropping. Along come the literati, whose great works become topics of stilted banter. Hadley (to my annoyance) often paraphrases what they say. Although the second half focuses on Hadley and the gamut of her emotions, it lacks characterization. Her anxiety is made very raw from motherhood. Once the baby is born Hadley’s situation rapidly becomes untenable. Hard-partying bohemian expatriates hardly value traditional notions of family and fidelity. Soon the baby, Hadley’s gaffe of losing the valise that holds all of Hemingway’s early work and the intrusion of a mistress all contribute to the dissolution of the marriage.

And even if he didn’t admit to me, I knew he was suffering because he’d hurt me badly with the affair. Knowing he was suffering pained me. That’s the way love tangles you up. I couldn’t stop loving him . . . (Ch.39, p.264)

Yes, the book paints Hemingway a louse who would up treating Hadley terribly. But, as sympathetic as I might feel for her, it’s also foolish of her trying to morph into Hemingway. It makes a stand for Hadley but certainly no measure for A Moveable Feast for its lack of reflective depth. The best passages are found in the prologue and the epilogue.

320 pp. Ballantine Books. [Read|Skim|Toss] [Buy|Borrow]

About these ads

3 Responses

  1. Hmmm. I trust your perspective on this one. Makes you wonder how these two ever found each other? I also am nervous when there is a book where the author presumes a voice of someone that has actually lived, only through what little research they could find. I can’t imagine there was really enough data out there to really accurately capture it.

    • I think she gets the idea across and establish base for readers to feel sympathetic for Hadley. But often time i feel the author just cuts and pastes actual conversations into her narrative. I find Hadley’s voice not very different from how Hemingway portrays her in A Moveable feast though. The verdict is that the book falls flat.

  2. […] book did everyone like and you hated? I sadly didn’t enjoy The Paris Wife by Paula […]

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

Follow

Get every new post delivered to your Inbox.

Join 710 other followers

%d bloggers like this: